Leslie Arden has had a varied background as a composer/orchestrator, lyricist, librettist, performer, director and teacher. She has written over a dozen musicals, including the critically acclaimed and multi-award-winning The House of Martin Guerre, the Chalmers Award winning The Happy Prince, and the Dora Mavor Moore nominated The Princess and the Handmaiden. She wrote the score to Harvest Moon Rising, the beautiful story of a modern family and a pioneer family, both struggling to maintain their family farm and their rural way of life. Leslie wrote the score to a musical adaptation of Shakespeare’s Much Ado About Nothing, which was produced by Chicago’s American Musical Theatre Project in August 2006 and showcased by the National Alliance of Musical Theater in New York City later that same year. Leslie composed the music for Canadian Stage’s productions of The Beard of Avon and It’s a Wonderful Life (in which she was also featured as a performer), and she has composed for The Stratford Festival for five seasons.
Leslie collaborated with Norm Foster on the oft produced The Last Resort and Ned Durango. Her choral works include THE BEST YEARS, commissioned by Toronto’s VIVA Youth Singers, and FEATHERS ON THE PAGE, which was commissioned and premiered by the King Edward Choir in 2012. The Gift of the Magi, her musical adaptation of two O’Henry short stories, premiered in 2015. She composed the music for a musical version of Goethe’s Faust, which premiered in 2016. She has been working on MOLL, a very loose contemporary musical adaptation of Defoe’s “Moll Flanders”, and The Lancashire Lass, which has been commissioned by Queen’s University’s Dan School of Drama and Music, where she is presently Writer-In-Residence for two years.
Leslie was one of 13 professional musical theatre writers chosen by Cameron Mackintosh and Stephen Sondheim to take part in a 6 month master class taught by Mr. Sondheim in Oxford, England in 1990.
—
“A brilliantly talented composer-librettist.”
Canadian Theatre Review
“Leslie Arden is a major artistic talent, but that merely restates the obvious.”
Goeff Chapman – The Toronto Star
“Arden writes gorgeous music and lyrics about the hopes, pain, love and aspirations of ordinary folks. And she does so with truth.”
Chris Jones – The Chicago Tribune
“By all rights, Leslie Arden should be the toast of Broadway, yet Arden, a Canadian composer-lyricist of enormous sophistication and grace, might possess too much fervor and intelligence to find her place there.”
Hedy Weiss – Chicago Sun-Times
“Leslie Arden is the best hope among Canadian writers of musicals.”
Robert Cushman – The National Post
“With a resume that includes the Dora Award-winning The House Of Martin Guerre, as well as Harvest Moon Rising, The Last Resort, the Chalmers Award-winning The Happy Prince and even her own review, titled A Meeting Of The Minds, Arden has established a solid record as one of the Canadian stage’s pre-eminent musical makers.”
John Coulbourn – The Toronto Sun